Introduction: For all I know
Ciaran Carson in conversation with Elmer Kennedy-Andrews
Language and the prosodic line in Carson's poetry
Peter Denman
'Pushed next to nothing': Ciaran Carson's Breaking News
David Wheatley
'Walking in the city': space, narrative and surveillance in The Irish for no and Belfast confetti
John Goodby
'The mouth of the poem': Carson and place
Eamonn Hughes
'Cruising to the podes': Ciaran Carson's virtual realities
Stan Smith
The word as object: commodification in the poetry of Ciaran Carson
Michael McAteer
Ciaran Carson: the spy in the superior turret
Tim Hancock
'Faery lands forlorn': reading tradition in the poetry of Ciaran Carson
Patricia Horton
Carson's carnival of language: the influence of Irish and the oral tradition
Frank Sewell
Borrowed lines? A reading of Ciaran Carson's American influences
Ciaran O'Neill
Alphabets and labyrinths in Ciaran Carson's Fishing for Amber
Jerzy Jarniewicz
Carson, Heaney, and the art of getting lost
Elmer Kennedy-Andrews
Acoustic perfume
Alan Gillis