Part I. God hanging from a cross
The Maskell Passion Ivories and Greco-Roman art: notes on the iconography of crucifixion
Felicity Harley McGowan
Imagining the cross on Good Friday: rubric, ritual and relic in early medieval Roman, Gallican and Hispanic liturgical traditions
Louis van Tongeren
Seeing the crucified Christ: image and meaning in early Irish manuscript art
Jennifer O’Reilly
The Blythburgh Tablet: envisioning the wounds of Christ
Carol Neuman de Vegvar
Some questions on the function and iconography of the cross in the Asturian kingdom
César García de Castro Valdés
Christ on the cross in Eriugena’s Carmina for Charles the Bald
Richard Hawtree
The liturgical cross and the space of the Passion: the diptych of Angers MS 24
Beatrice Kitzinger
Mass and the Eucharist in the Christianizing of early medieval Europe
Celia Chazelle
Part II. Contemplate the wounds of the crucified
Sacrifice and salvation in Echtgus Úa Cúanáin’s poetic treatise on the Eucharist
Elizabeth Boyle
Preaching the Passion: imitatio Christi and the passions and homilies of the Leabhar Breac
Juliet Mullins
The Volto Santo’s legendary and physical image
Michele Bacci
Romanesque majestats: a typology of Christus triumphans in Catalonia
Jordi Camps i Sòria
Medieval painted crosses in Italy: perspectives of research
Katharina Christa Schüppel
Towards an emotive Christ? Changing depictions of the crucifixion on the Irish high cross
Jenifer Ní Ghrádaigh
Irish crucifixion plaques: a reassessment
Griffin Murray
The cross at the heart of the Trinity: an Anglo-Norman development in art and theology
John Munns
Antelami’s Deposition at Parma: a liturgical reading
Elizabeth C. Parker